The Sayama projects demonstrate how far architecture can go to help us make sense of our place in the world’ – The Architectural Review (2016)

Inagawa Reien and Sayama Lakeside Cemetery in Japan, designed by Hiroshi Nakamura and commissioned by the Boenfukyukai Foundation, harness the force of nature.

A man sits at a table at the end of a long, curved space with flowers, a cup of tea and a box of tissues. He stares out of the window over a reflecting infinity pool to the Sayama Hills.  The configuration and atmosphere of the place offers privacy. Alone in his thoughts and memories, tears run down his cheeks.

I am here to visit two buildings – the community hall in which the man sits, and a chapel – both part of the Sayama Lakeside Cemetery. Witnessing this intimate moment was a humble reminder of the purpose of the place an hour’s train ride west of Tokyo, in a reservoir and recreation area known for its natural beauty.

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Thomas Heatherwick, ‘I wanted to be an inventor’ – The Architectural Review (2016)

This article provides a profile of the London-based designer and architect Thomas Heatherwick

“As projects grow in scale and complexity, Heatherwick Studio seeks to maintain its original design philosophy to create surprising objects, sensual details and pleasurable spaces….

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‘Architecture of the Domestic’ for Make Place, Salford Museum and Art Gallery (2016)

Make Place is a talks programme exploring domestic space and identity at Salford Museum and Art Gallery. Featuring renowned academics and artists from across the UK, the programme will contextualise Mark Devereux Projects represented artist Sophie Lee’s own artistic research into domesticity, which has included visiting the Gvendareyjar islands in Iceland to studying Salford Museum and Art Gallery’s extensive collection of nineteenth-century household objects, furniture, fixtures and fittings.

Kate Goodwin, Head of Architecture, Royal Academy, London, considers how bricks and mortar, coupled with our desire to forge safe domestic environments, influences the way we live; Gill Perry, Professor of Art History, Open University, addresses the sociological and psychological impact the of domestic environment upon our everyday lives; Artist Becky Beasley will discuss her practice and relationship to notions of feminism within the domestic environment; and Edward Hollis, Director of Research, Edinburgh College of Art, will unpick the minor rituals and routines that allow us to constantly remake the home.

‘Ai Weiwei is a generator, an initiator and a director of architecture’ – The Architectural Review (2015)

The self-taught architect is better known for his art, but Ai Weiwei’s architectural studio has developed a restrained style that speaks to the fundamentals – form, structure, proportion and light

Read the full article on The Architectural Review

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